geekent’s stuff’n things

31/01/2007

Raided: January ends

Filed under: Sequential Art — gkentetc @ 3:36 pm

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Here’s what you missed on Rack Raids this past week, Cochese (with one “word” descriptions):
Silencers tpb - espionagariffic
Majestic: Strange New Visitor tpb - dimajestical
Mike Carey’s One-Sided Bargains One-Shot - Devilectible
Fallen Angel vol.2: Down To Earth - seedylicious
Supergirl and the Legion of Super-heroes #26 - roboradicool
Crossing Midnight #3 - Japanastycal
Silent War #1 - Inhumangering
X-Factor #15 - x-frackinghellthisisgood
Fantastic Four #542 - fantastounding
There’s lots of other good reviews from the other lads, including one that got 5 out of 5 M.O.D.O.Cs!

Why aren’t you at your post

Filed under: random — graigkent @ 1:14 pm

I was just the 52,901st customer of the Flavia machine on the 5th floor. Nearly 53,000 of these stupid little drink packages have wound up in the landfill from this one machine alone. Progress is bitter, unless you add sugar, and cream, and then stir it, with a little plastic stir stick.

Clothes only fit when you’re fat

In the opposite of ladies fashion where the clothes are made for slim, thirteen-year-old gangly boy shaped, breastless women, men’s fashion seems geared towards the pot and/or beer-bellied gentleman, if not the outright girthy. The roommate has a GQ magazine from months’ past (with Jake Gyllenhaal looking so sexy and bored on the cover) resting beside the upstairs komode, and within its pages, amongst the scratch and sniff ads for liquor and past the awesome interview with Sarah Silverman (Jimmy Kimmel, you’re a lucky dude, but then so am I so what of it), there’s an article which isn’t so much an “article” as four pages of photographs of a dude with different button-down, long-sleeve shirts on: kinda casual, kinda dressy. Anyway, the point of this photo-essay is to alert men (”metrosexuals”) to the nasty appearance of their button-downs when tucked in. Most shirts offer too much room, thus poofing or bunching around the waist and making the slim look… not so slim.
This I too have noticed and am also not a fan of. Button-down shirts, the more affordable ones which I appear to come across, seem made for the gutted, the type of man who Borat would find himself wrestling naked with, the kind of man whose stomach drapes over his privates. If I take some of my shirts - the one’s whose label states “medium” (yes, fashionistas, my tags generally don’t state the collar size) - and I put them on and button them up, I can usually grab the bottom button and pull it a good 6 to 8 inches away from my belly button. This is not a shirt that fits me. Oh, it’s square enough on my shoulders, but it’s meant for someone with more notches on his belt buckle (and I’m not talking sexual conquests… perhaps kegger conquests, yes).
So far I’ve not found a lot of “slim fit” clothing. H&M has a good selection of leaner wardrobe fodder, with “slim fit” specifically labelled on the tag, as does Point Zero (but there’s less of this going around). I’m interested to hear of any other chains or boutiques in Toronto that have shirts which cater to the slim-fitted gentleperson, ones that are wash and wear and also won’t break your wallet.

Gitcher groove on

Speaking of H&M… I resisted going there for a while, but now I am a devotee, if for one reason only: underwear. H&M have the perfect boxer-brief, made of 95% cotton, 5% lycra, it has a bounceback factor which doesn’t lose it shape like FOTL or other department store brands. And it has a comfort zone up front (I dubbed it the “cock pocket”) which keeps the boys front and center, snugly resting like a banana arching over two apples. I love these things, they fit well, they look good, and they feel good.
(And yes, Joany, I did buy a pair of the Superman undies (aka Underoos for Adults) that you alerted me to, unfortunately the briefs have a tendency to ride up and I wasn’t as keen on the design on the boxer-briefs.)

Less miserable than yesterday I imagine

Filed under: random — graigkent @ 11:30 am

Oooh, I didn’t like yesterday very much at all, no-ho, uh uh.
I was tired. Not certain why because I’ve been going to bed much earlier than I ever have (but also getting up earlier as well), but tired I was, and cranky… a total Grumpleupagus, a term my friend Ry (to be, finally, discharged from hospital today, hopefully) coined to describe his ex-girlfriend. Think a snippy version of Snuffleupagus and you get the idea. I always think a Grumpleupagus is hairy like Snuffy, but purple like Grimace, for some reason. And Grimace is weird, because to grimace kind of strikes me as a reflex-like action in response to something distasteful, like eating McDonalds… it’s like wincing (answers.com states: A sharp contortion of the face expressive of pain, contempt, or disgust, which perfectly describes my reaction to the Taint [the Taint is what McDonalds is referred to in Douglas Coupland's book "jPod" and isn't referring, here, to the part between a man's scrotum and the anus, aka the perineum {aren't you learning lots today kids?}, the slang popularized by Mr. Show with Bob and David]). So then why is that purple f*cker so happy? Is it because nothing can kill him?
Ahenneewhay, today is a better day than yesterday, although yesterday wound up being better after work ended for the most part, mostly because work ended. There was a weird 7-streetcar backup on Spadina after work, but the lovely lady and I foraged out to Dufferin Mall where I found me a lovely new jumper and she picked up some gifts for the wee one’s 5th birthday (which is coincidentally my father’s 57th birthday, and that’s kinda awesome). I also found a store which had a reservoir of my favourite headphones (discontinued by Sony two years ago) and so I bought two pair, because I loves them… I loves them so much.
Anyway. Today. Today isn’t the greatest day ev’ar, but it’s all right, y’dig and I’m enjoying myself, and I think I am liking it so much because it’s sunny and the skylight overhead casts a halo-like glow atop of me, signifying my divine providence and establishing my lordship over my workspace domain (what?). Yea. 5 red cars in a row, it’s a good day.
Comics. Lunch. Work. Cake.
All is good.

30/01/2007

Sometimes a little appreciation is all you need,

Filed under: book report, random — graigkent @ 5:28 pm

Sometimes a little thank you is all you crave,
Sometimes a little reciprocation is what you desire,
Sometimes a little break can keep you sane,
Sometimes the little efforts are what matter most,
Sometimes there’s a fog that refuses to lift,
until the work day is over.

Book Report

Book:The Curious Incident of the Dog in the Night-time
Purchased: July 16, 2006
Cost: $19.95
Pages: 226
Start reading date: January 22, 2007
Finished reading: January 29, 2007
Total days taken to read the book: 7
Average reading speed: 32 pg/day
“The Curious “ncident…” is written from the perspective of an autistic 15 year old child. For a very short time it seems like it might be a mystery novel with a rather unusual protagonist as detective, but, by the end of the first 50 pages, the reader realizes that this is a book about autism and how the mind of the individuals who live with it operates, to some degree or another. I imagine there are different severities and that each person is unique. It’s a fascinating foray as the narrator bluntly and unapologetically relates his life and his though processes in precise details, and through this character writer Mark Haddon conveys the difficult life of the character’s parents and the unintentional humour that someone oblivious of comedy can convey. Engrossing for certain.

29/01/2007

Short Rounds vol.12 - the revolution will be televised…

Filed under: televideodisc — gkentetc @ 11:13 am

…but also available on DVD shortly thereafter
As you might know, I don’t watch a lot of TV. The structure of weekly television isn’t very conducive to leading an free and active lifestyle. Weekly programming forces you to bend to the whims and schedules of network programming executives, and for what? So you can be appropriately target marketed, ranked and numbered as part of a statistic, and watch 12 minutes of programming become 15, 22 minutes become a half hour, or 41 minutes take an hour. No, you have a choice… buy a TiVo, demand more (legal) on-line outlets, or, like me, buy your programming on DVD.ala
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Justice League Unlimited Season 1

When I was a kid watching the SuperFriends, I wasn’t watching for Superman, Batman or Wonder Woman (or the Wonder Twins), but instead I was watching for the second stringers. Green Lantern, Hawkman, Firestorm, the Flash, and also the bad guys like Black Manta, Sinestro, Captain Cold, and the like (I didn’t really like Apache Chief, Samurai, El Dorado or Black Vulcan because they were not in the comics). So when the new Bruce Timm progressed from Batman: the Animated Series and Superman: the Animated Series onto Justice League, I was excited. I mean, Martian Manhunter and John Stewart… that’s cool. But after two seasons of JL came the announcement to move to an expanded roster of dozens of second and third stringers… well, I practically wet myself. But that was nothing compared to the brick I dropped upon watching the first episode. Green Arrow? Holy crap! But they didn’t stop there, as Captain Atom and Supergirl joined Green Arrow and Green Lantern to take down the modified Brimstone, butting heads with the (Korean?) military as they do. Yes, that was one hell of a geeky sentence but I don’t care. I was in love. Subsequent episodes featured Hawk and Dove, the Atom, B’wana Beast, Zatanna, Black Canary, The Question and more. Yeah, this was my show. But it wasn’t until partway through the season when I realized that the entire season was being tightly strung together by one overarching storyline involving the American government attempting to destroy the Justice League. Along the way the Suicide Squad is activated, an analog of Power Girl shows up, derivatives of the multi-culture pals from the SuperFriends are used, and the greatest knock-down, drag-out brawl between Superman and Captain Marvel made me completely flip my shit.
For the superhero fan, this offers some good entertainment, if occasionally vague at times. For the spandex tights aficionado, it actually doesn’t get much better than this.
-5/5-
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Kids In The Hall Season 5

I love the Kids in the Hall, and I love that most of their five seasons of sketch comedy still holds up, placing them in league with Monty Python and SCTV as legends of sketch com (although not quite as timeless as the former, but holding up quite a bit better than the latter). Season five, though, was the end of their run. What we saw in season four was an increase in production rather than studio skits, and season five ventures forth with that attitude, stretching out some production skits to the 10 minute mark in some cases. An experimental attitude helps make many of these sketches some of their best, but at the detriment to their studio sketches, which in a lot of cases, are lazy, relying upon reoccurring characters or past jokes to carry the scene.
The first three episodes of this season have a vigor to them that make them some of the best episodes they’ve ever done, but following this is a stretch of lulling episodes with some bright spots but also some low points. This season includes perhaps my all-time favourite KITH skit entitled “Feelyat” which is a silly game show performed completely in Dutch.
The special features are extremely light this season, with really only the standard two audio commentaries to show for it. The first is commentary on a “Best Of” compilation, the second on the final episode. Once again, I wished for more commentary, because I’d like to know the gestation of so many skits, alas, we’re stuck with these, and unlike previous seasons, the Kids aren’t in prime form (there are a few lulls). Completists and fans must have it, though.
-3.5/5-
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Harvey Birdman: Attorney At Law Volume 2

For a couple episodes in this second collection of Harvey Birdman cartoon courtroom antics, I thought that perhaps the show was out of steam, that they had used up all their good stuff in the first season, with the big guns like Scooby-Doo, Fred Flintstone and the SuperFriends. But the shift of the show moved away from the goofy judicial system and more to the goofy interactions of Birdman, his assistant Peanut, his boss Phil Ken Sebben, his adversary Reducto, his stalker X, his coworker Purple Potamus, and all the other crazy characters that turn up. Still the guest cast of cartoon has-beens pop-in for legal proceedings (like George Jetson and Captain Caveman), but they’re really ancillary as the show bounces from verbal gag to sight gag to it’s multitude of WTF moments. Some episodes feel restrained in their bizarreness, others only exist because of it. The transitions from courtroom comedy to character focus wasn’t easy, and the first couple episodes in this collection suffer for it, but real gems follow the roughness. Reducto’s affair with a large-bottomed woman in a Red Shoe Diaries parody is tops, but the episode in which X: The Eliminator finally gets Birdman’s crest is a payoff many episodes in the making. Finally, the introduction of Birdgirl was so close to jumping the shark but the brilliance of it easily overcomes any statements otherwise.
The audio commentaries are very entertaining (each featuring the producers and a different member of the voice cast), and the Birdman commercials that ran on Adult Swim are awesome. Altogether a tight package chalk full of entertainment.
-4/5-
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Are You Dave Gorman? (aka The Dave Gorman Collection)

Longtime readers of this blog will be familiar with the name Dave Gorman, as I’ve reviewed and shilled for his books, videos and media appearances enough times that he could probably have his own category. Needless to say, Dave Gorman entertains me. I first became aware of Dave via Neil Gaiman’s blog when he noted how much he enjoyed the biographicomedy Are You Dave Gorman? which Dave wrote with his mate Danny Wallace (who I also shill for frequently). Well, this is the BBC series which preceded the novel, which is based on the stage play that Dave and Danny used to further broaden their search for more Dave Gormans (Dave Gormen?). Years before Al Gore took digital slide presentation to the next level there was The Dave Gorman Collection, this half-hour-times-six-episodes exploration into Dave and Danny’s hilarious search around the world, armed with a credit card and a camcorder, to find 54 of Dave’s namesake.
For such a simplistic presentation (no dramatic reenactments to be found) it’s a lot more amusing than it deserves, but chalk that up to Dave’s brilliant comedic timing and his affable charm. He sucks you into his adventure and seems like a ripping, kind and fun bloke to know, and you honestly can’t help but feel like you’re part of his adventure. Pure fun, even if you know the outcome. Available from the UK region free (www.davegorman.co.uk)
-4/5-
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Battlestar Galactica Season 2.5

When I first reviewed BSG upon viewing the first half of the opening mini-series, well I didn’t like it so much. I watched the second half of the mini-series and it didn’t do nearly enough to excite me for the ongoing series. My loss. I’ve since declared my affection for the show, on more than one occasion. I’d be lying if I said that there wasn’t a falter in this second set of season two, but overall, the series as a whole remains strong, and still one of the best programs to ever appear on American television.
My qualms with the second half of BSG season 2 are few, but they are there. Firstly, Lee Adama (Apollo) is getting almost killed way too often. This show has pulled no punches in changing the status quo, so offing major or minor cast members shouldn’t be an issue, yet Apollo keeps reaching the end of his tether but getting pulled right back it. Kind of annoying and counter-intuitive to the show’s usual machinations. Meanwhile, the latter third of this season finds a lot of characters getting shoved aside for new cast members, or they just don’t have an active role in the major storylines that are happening. One episode guest starring John Heard is also quite out of place, as the series rarely has on-off stories, never mind those that are highly predictable. But these aside the series is as addictive as ever, moving forward at a nice clip. I’ve doled out so many adjectives about this show already, but channeling Stephen Colbert for a moment, this one has balls. This is a show that is not afraid to make big drastic changes and follow through on them. The season finale, 90 minutes long, is a doozy, and it completely changes the show’s perspective… that takes stones, and stones it’s got.
No longer the perfect show, but still there’s no finer hour-long entertainment coming from the tube these days.
-4/5-

26/01/2007

Short Rounds vol. 11 - video movies ingested over a month

Filed under: DeeVee — gkentetc @ 3:10 pm

I masticate these movies, swallowing them in small bits, and it never seems like much, but they collect and coagulate, little thoughts about them sprouting out like eyes on a potato, and it just keeps growing until I have to regurgitate them in one big Short Rounds lump on this here blog. The pretty pictures I paint. Enjoy.
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Eight Below

A Disney movie about a team of sled dogs left behind as a torrential storm hits an Antarctic research station… or at least that’s what Disney would like you to think. I was expecting something more along the lines of the Incredible Journey, but instead it was a movie about Paul Walker (graduate from Keanu’s Wooden Boy Acting School) feeling guilty and leaving his pups behind, injected with a lame attempt at a romantic subplot. Pains are taken to deliver exposition early in the film that tell us who each do is and some aspect of their personality that will help us distinguish them when they’re running around all alone, except when they do eventually get running around on their own, it only comprises about 20 minutes of the total film (in around five minute chunks interspersed with Walker’s storyline)… absolutely no room for character development or for the audience to really establish a connection with these animals, except to say, that is, they are huskies and malamutes, and they’re cute and loveable. Stuff kids might enjoy, but I felt cheated.
-2/5-
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A Christmas Story

I can’t believe I’ve never watched this 1983 holiday classic in full before. It’s hilarious. It’s the story about a young boy, Ralphie, in the 1950’s desperately wanting a BB gun for Christmas and trying subtly to let his parents - and anyone else, Santa included - know (their response is the common refrain “You’ll shoot your eye out”). Though this is the central story, the sub-plots are equally joyful, including a bully on the path to school, an overbearing mother, a spoiled younger brother, a prize his father wins that causes contention in the household, and a few more. Brilliantly directed by Bob Clark, it’s based off a novel by Jean Sheperd who also co-wrote the screenplay and provides the very Adam West-ian narration to the story. The narration carries the film, revealing the inner workings of Ralphie’s brain, but the acting is top tier comedy from young and old alike. Utter brilliance, and definitely a new traditional watch when the season comes around.
-5/5-
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Modesty Blaise

Morbid curiosity and a $4 price tag enticed me into buying this film, which is a completely unfaithful adaptation of Peter O’Donnell’s long-lived and totally underrated espionage-themed newspaper comic strip. The movie is gloriously ’60’s through and through, with it’s quirky, overproduced hippie-swing soundtrack, and the vivid bright colours and patterns that adorn every scene. What it has going for it is a free spirit and wry and sexual sense of self. Unfortunately, the script is excessively loose and virtually impenetrable, the motivations of characters completely obtuse and the actions and reactions almost equally perplexing. Watching this I felt lost every time the story progressed to a new scene, it was like each cut was from a different movie and they strung them all together. It’s vivid and colourful and buoyantly silly, which is what holds your attention, while it’s ambling plot and incoherent execution is both intriguing and frustrating. Fans of adventurous 60’s spy and super-criminal stories (from Bond to Diabolik, Italian Job to The Avengers) might like to take a crack at it, and maybe give it a few viewings to decipher, anyone else will probably get bored. MST3K fodder.
-1.5/5-
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Kiss Kiss, Bang Bang

Robert Downey Jr. is waaay too good at playing the sympathetic yet borderline despicable character, and he does it again in Kiss Kiss, Bang Bang, and yet he’s also the lead, the hero, the protagonist, and the cracked up narrator. Essentially it’s an elaboration upon pulp crime stories set in a modern day environment (even though it’s really the unpleasant Hollywood scene) with that “insightful self-aware bent that could be annoying but works brilliantly” tactic that Tarantino started the ball rolling on a decade and a half ago. The ingeniousness of the film lies in its execution, presented with a staggered timeline that is further muddled by Downey Jr.’s character’s narration which alternately provides insight or teases the audience. It’s a bad things happen to sorta-bad people kind of tale, which, as much as writer/director Shane Black’s comedic timing, makes the bad stuff funny. Great performances all around, it’s sleek looking, gritty feeling, with a savory aftertaste. Really good, fun stuff.
-4/5-
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Cars

Though entertaining enough, it’s easily the worst of Pixars otherwise stellar output. It’s a surprising retread of the old and mediocre Michael J. Fox movie Doc Hollywood. A fairly standard fish-out-of-water (or city boy in the country) style film which gains most of its laughs from the replacement of cars for humans, unlike other Pixar films where the characters and voice talent drive as much of the comedy as the unusual scenarios they present. Basically this is impressively animated, but sub-intelligent kiddie-fodder pandering to Middle American “NASCAR Dads” audience. My girlfriend’s kid, a notable car’n'truck obsessive, loves it, and that’s okay, but it’s a disappointing effort for adults considering the pedigree. Ratatouille looks like a much more entertaining return to form.
-2.5/5-
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Army Of Darkness

The last time I watched Army of Darkness was shortly after its video release. At that I hadn’t seen either of the Evil Dead flicks that preceded it, and really didn’t know what to expect from it. When it was over I wasn’t disappointed but I didn’t like it and I didn’t get it. More than a decade later, viewings of Sam Raimi’s earlier (and subsequent) work, an understanding of the Cult of Bruce, and a lot of interaction with various Ash obsessives, I’ve given it another shot. The verdict: I was entertained by it more than last time, I certainly understand and appreciate Raimi’s vision, and now I understand why I didn’t like it the first time. Overall, mild amusement and entertainment, but sullied by the fact that I really don’t like slapstick comedy. I can’t tell you why I don’t like slapstick (it’s something I’ll need to examine in greater deal some other time) but it’s something that’s never caught my attention and rarely made me laugh. I think slapstick is based off of the absurdity of the undexpected, but I appreciate that more in mental form rather than physical. I don’t really find slapstick surprising. Anyway, Army of Darkness is actually more amusing post-Lord of the Rings, since there’s a prescient parody of the Helm’s Deep battle is waged against the undead at the end of the film. I’m a convertee to the Cult of Bruce, and this does at times contain some of his finest celluloid moments, but he really makes film and it doesn’t really hold up as entertainment without him. Raimi’s early interest in re-contextualizing horror with comedy was a valiant effort but not successful at being outrageously funny or really at all scary.
-3/5-
**Addendum - 29/01/07** Aw hell, maybe I still didn’t understand exactly what Raimi was shooting for with AoD. A conversation with my special lady after writing this dropped in the fact that Raimi did the horror/comedy with Evil Dead 2 (which worked) and that with AoD he was trying for more of the Harryhausen-style Adventure. So there we go. I did get that - the Harryhausen tribute - that was pretty obvious, but I didn’t really think about the style of the film on its own but rather just looked at the series of which it’s a part of. So as a comedy-adventure, yeah, Raimi achieved what he wanted, but still… I dunno, this film doesn’t captivate me like it does so many others.

Behind the Mask: The Rise Of Leslie Vernon

Filed under: In Theatre — gkentetc @ 2:19 pm

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directed by Scott Glosserman, written by Glosserman and David J. Stieve. For a while it was completely de rigour for horror movies to be hyper-aware, equal parts comedy, genre satire and slasher film. The trend started with the explosive success of Scream and spiraled out from there for half a decade or so, until people tired of them and traditional freak/gross-em-out took back the market. Well, Scott Glosserman and David Stieve weren’t content to let it go quietly into the night, poking fun of horror shouldn’t stop with the inane Scary Movie franchise. Like the supernatural serial killers of film, the horror satire is resurrected, and mastered with Behind the Mask: The Rise of Leslie Vernon.
The film is a mocumentary, in most respects, as a trio of student filmmakers get a behind-the-scenes pass into the life and mind of one of a madman. It is explained that this film takes place in a world where Jason, Freddy and Michael Meyers and other supernatural killers are real, existing to torment small towns across America. Our filmmakers have gotten in contact with Leslie Vernon, who legend has it, was a child when he killed his abusive parents and then was demonized and murdered by the townsfolk. Leslie has returned and now wishes to enact his revenge, but even more, bolster his legacy, hence the film crew.
Upon first meeting Leslie, he comes off eerie and ominous, but it’s part of his act, which quickly fades away to reveal a goofy, intelligent, fun-loving and, actually, friendly man who is the antithesis of what a homicidal maniac should be. Leslie takes the filmmakers on a tour, exposing them to his intended target, explaining the rationale behind how he picks his victim. He then shows them how he prepares, including his physical workout (intense cardio is essential, he says as he works over a punching bag. He has to be able to cooly walk behind running teenagers and keep up, as well as move fluidly and silently like a gazelle in order to seem like he’s in two places at once).

(more…)

25/01/2007

weetches teet

Filed under: random — graigkent @ 4:41 pm

Yeah, it’s cold, a cold that reminds me of home.
Thunder Bay.
This -14 (-22 with wind chill) was average winter temperature growing up.
I didn’t like it then, and I don’t like it now.
Waking up to CBC radio and hearing the forecast doesn’t make me want to leap out of bed any quicker and make that half hour walk into work.
But, I know from living through these conditions over a much longer period that they are perfectly habitable and you can easily trudge along the sidewalks for a half hour without worry, you just have to bundle up appropriately.
Layers and some winter smart clothing (a hefty scarf, a toque, mitts rather than gloves, boots) are all part of the action. In fact, I was a little too warm with my brisk walk into work this morning (sweating in the cold can be dangerous if you cool down and catch a chill).
I’m not exactly built for this kind of temperature, but I’m certainly not as afraid of it nor as unprepared for it as others I know.
Still, not looking forward to that walk home.

24/01/2007

Coincidences in comics this week

Filed under: Sequential Art — graigkent @ 11:59 pm

The comics pull this week included:
Thunderbolts #110, Crossing Midnight #3, 52 week 38, Silent War #1, Fantastic Four #542, X-Factor #15, Supergirl and the Legion of Super-Heroes #26
In X-Factor, Thunderbolts, and Silent War, there were scenes of people being strapped to chairs or tables and tortured
In Fantastic Four and X-Factor, there were scenes that took place in France, with dialog spoken in French and no translation.
Robots were created that are leading to war in both Legion and 52.
Frazer Irving illustrates both Silent War and Robin (on Aden’s pull list), and I couldn’t be happier.
In 52 and Silent War, dweeby little science dorks create monsters that they won’t be able to control (variation on that happens in X-Factor).
HYDRA appears in both X-Factor and Fantastic Four, and they’re equally inept in both.

DuoRaid

Filed under: Sequential Art — gkentetc @ 3:38 pm

Previously…
Phonogram #4… with comment from the artist (yay)
Utopiates #1
And then, in Thor’s Comic Column…
Top 5’s from the Rack Raids gang for 2006
And now…
Gumby #2
Justice Society of America #2
Tron #3… with comment from the writer (yay)
Coming up this week.. more stuff.
I should also mention there’s lots of other great reviews on the site. Go read it.
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Pan’s Labyrinth (El Laberinto del Fauno)

Filed under: In Theatre — gkentetc @ 2:38 pm

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written and directed by Guillermo Del Toro. I like Guillermo Del Toro’s work, even when it’s not very good. He has style and vision, and he surrounds himself with artisans who help bring that style and vision to life. Del Toro is an old-world comic book geek who learned to make films and tell stories, often of his own creation. While his work for hire movies like Blade II and Mimic are certainly of a higher caliber than some of their action-horror movie counterparts, it’s like being the top bird on a trash heap. It’s with his own films where he shows off his abilities and proves that he’s more than just a great genre director (though even in this, a more artsy film than he normally produces, he still gets in a couple of squeamish gags to provoke the audience). He has an interest in thing other than the fantastic, but he always injects the fantastic into his work, which may pigeon-hole him, but then again, a half dozen Oscar nods certainly adds some prestige.
As witnessed in his film, the Devil’s Backbone, Del Toro has more than a passing interest in the Spanish Civil War, a time frame within which Pan’s Labyrinth is also set. Much in the same way, these two films both present a view of the war with the perspective of a child, infusing elements of fantasy (in the previous a ghost story, and in this a fairy tale) to counter the terrors that are really going on in the world.

(more…)

23/01/2007

The Queen

Filed under: In Theatre — gkentetc @ 3:36 pm

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directed by Stephen Frears, written by Peter Morgan. The Queen is definitely a good movie, have no fear of that. But with all the hype behind it, don’t mistake it for one of those good-meaning-pretentious or good-meaning-obtuse or good-meaning-boring kind of movies. Nope, this is actually a damn good film that is insightful, stimulating, and entertaining in both a comedic and dramatic sense. It’s intelligent and whimsical, politically charged while also socially cognizant.
Helen Mirren portrays Queen Elizabeth II in what, to me, seems like an educated guess at what the behind-the-scenes life of the British Royal Family and Tony Blair’s Government is actually like. It’s jarring that our first glimpse of Mirren as the Queen is in her complete get-up, getting her portrait painted and interacting casually with the painter, while in her next scene is cuddled up in bed, all the glitter of diamonds and sequined jewels and the regal stripped away. We’re not used to seeing the Queen this way. The film takes great pains to establish character and personality in all these British figures whom normally we only see their public face.
Tony Blair is brilliantly portrayed by Michael Sheen as a shrewd politician, but amiable and genuinely charming and youthful, a definite leader with his own reservations. His wife, meanwhile, played by Helen McCrory, is shown in a bit colder light, although she’s given her own warmth, as is Cherie’s relationship with Tony. Prince Philip, whose public face is that of a silent, stoic individual perpetually at his wife’s side, and yet, here played by James Cromwell, is a mouthy elitist who always has his say, though rarely is it ever asked for. Sylvia Sims’ Queen Mother is shown as having let her nobility wane in her old age. She seems to enjoy life more not being a figurehead, making her a notable point of comic relief, but at the same time she has a callous perspective on the monarchy and also the only person whom Elizabeth can (and does) turn to for guidance.

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Enunciate

Filed under: geek, random — graigkent @ 3:13 pm

Can anyone tell me what the proper phonetic pronunciation of Mjolnir (aka Thor’s hammer) is?
I think it’s Mee-yol-neer
But I also prefer to say ig crassly Amerikaner: Mih-johl-ner

Almanack Report

Filed under: book report — graigkent @ 10:56 am

The new year is off to a good start, with one book already finished. That’s one book up on last year’s zero books finished at this time. I was concurrently reading a second book, and have started a third… but let’s take a look at that first one, shall we:
Book: The Areas of My Expertise by John Hodgman (click link for blog)
Purchased: December 28, 2006
Cost: $17.95
Pages: 256
Start reading date: January 3, 2007
Finished reading: January 20, 2007
Total days taken to read the book: 17
Average reading speed: 14 pg/day
You know John Hodgman, even if you think you don’t. If you watched the Daily Show with any regularity over the past year you’ve seen him… and if you don’t watch the Daily Show, well, he’s the guy who plays the PC in those Mac vs. PC commercials. Anyway, he wrote a book of trivia… make that completely useless trivia since it’s all made up and mostly factually incorrect (he does manage to spell a lot of things correctly, but “Ottowa” and “Almanack” aren’t among them). It’s intended as a parody of Farmer’s Almanacs in a sense, complete with lunar charts for the lycanthropes among us. It’s hilarious reading, and Hodgman’s obsession with Hobo culture permeates throughout. Though capable of being read in random chunks (like a bathroom reader) if read in order, one gets a sense of a bizarre alternate reality, as Hodgman self references and annotates himself many times over.
Currently on the reading block are “Timeless Toys”, which is a very large hardcover which scans the history of toys through the previous Century and relates the tales of the most enduring and popular of them, including Tinkertoys, Monopoly, Nerf, Lego, and GI Joe. Also, just started last night Mark Haddon’s “The Curious Incident of the Dog in the Night-time”, which seems to be a fairly quick read which is good… for me….

22/01/2007

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan

Filed under: In Theatre — gkentetc @ 3:06 pm

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directed by Larry Charles, written by Sacha Baron Cohen, Anthony Hines, Peter Baynham, Dan Mazer. The word on Borat long before it hit the theaters was that it was the funniest film to come along in some time, many saying the funniest film ever, others simply that it was the funniest film of the year. I don’t know that either of these are correct, but at the very least know that it is funny. The sheer commitment Cohen has to his character is impressive, not to mention necessary in order to sell the film.
The film plays itself as a documentary of Borat, the nation of Kazakhstan’s ace reporter, coming to America in order to learn how the country is so prosperous and how his nation can benefit of this knowledge. Of course, in the process what Cohen and crew are really exploiting is the inherent nature of America to be both glorious and ugly. The ultimate in exploitation films, what Cohen here exploits is both a country’s introverted and overt prejudices as well as, on the opposite side, its tendency to patronize and avoid offense. There are people who are vocal and righteous about their hatred of others, and some who will agree with another’s hatred simply to avoid confrontation.

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18/01/2007

fun with real

Filed under: random — graigkent @ 9:48 am

My brain likes to play with words, often just looking at a sign will send it off on a field trip full of revelry and mental shenanigans. Recently:
On Queen Street sits the “Silver Snail”, which is a landmark for any geek visiting the city.
Down the street and around the corner (okay, a couple dozen blocks away) is the nail salon dubbed “Silver Nail”… strange business expansion or mere coincidence?
Meanwhile, I’m thinking of opening a hardware store which also offers comics and manicures and autographed photos of cinematic character actor Ron Silver. It shall be dubbed “Silver’s Nails”
Tucked away on McCaul is the costume and dance wardrobe suppliers “Malabar”. I was curious what they would think if I opened up a flexible undergarment store called “Malabra”. Items for sale would include the moldable brazier, silly putty pasties, the plasticine panty and the gelatinous gitch. Meanwhile, “Malabar” should not be confuse with the booze-’n'-boys funtime place “Malébar”. If they were interested in expanding their line of decadent, minimal-use clothing, perhaps they would consider attracting a transvestite crowd with a new wing called “Shemalabar”.
Tucked just off of Yonge and Dundas is the great “BMV” (”Books, Magazines, Video” I believe it stands for), which is a refuge for discounted and used comics, books, magazines videotapes and DVDs. Treasures can always be found. Across the street, on Yonge, is “HMV” (which stands for Humvee, I think, but that would be odd considering the lack of city tanks and the plethora of CDs and DVDs). I was considering the possibility of having a whole alphabet of “(blank)MV” storefronts in the area… well, at least enough to close the gap between B and H:
CMV - “Country Music & Video”, they pump their audio wares out into the street and have big television displays in their windows. They cause the real estate market in the area to depreciate.
DMV - well, “Department of Motor Vehicles” is an American term (we have the “MTO” - Ministry of Transportation of Ontario” here), but for the purposes of humour, a DMV branch opens here so we can learn to drive like Americans, with their “imperial” system of “Miles” (rather than the proper Metric of Kilo-meters), their fuel gage that goes from “N” to “Y” (rather than our Empty to Full monitors here), and their clocks which tell time using letters instead of numbers.
EMV - “Electro-Magnetic Voles”… very limited use, not likely to survive in the area as high product turnaround is needed to make money and afford the cost of rent. Replaced by “Electro-Magnetic Vulvae” which is a perverted store which you don’t want to enter.
FMV - a new radio station on the FM dial…or a video production office of For Him (aka “FHM”) Magazine, as they branch out into multimedia
GMV - the “Good Moves” company, perhaps a gym or an erotic dance training school, either case, likely on the second floor in that area.

16/01/2007

To the dogs, I say

Filed under: Silly Things To Do, lala land — graigkent @ 5:43 pm

My friend and coworker E had a birthday party for her dog, Leia (whom you may remember from this post), who turned 2 years old.
Dogs and their owners were invited, including my sister and her dog, Whistler, a black lab (whom you may recall from posts such as this)
It does seem a silly thing to do, but, to be honest, it was a lot of fun. Whistler was the only large dog there, and likely weighed as much as the other crowd of pups put together. Still, didn’t stop him from playing with them. Whistler is a big goofy child who can play rough with me and large dogs, but plays quite gently with the littler ones. I’m a proud uncle because Whistler was certainly the party doggie.
Here’s a picture of him with Bennie and Harley, the only dogs who weren’t afraid to really get their paws dirty with him. Then again, Whister is a hard dog to keep up with, and kind of grabby, taking toys away from the littler ones, or chasing down balls intended for them.
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After the party, I was at Aden’s Aunt’s place for a big send-off soirée, full of food and wine, and, yes, more dogs. Later that night I had a dream that my sister got me a boxer puppy, but it was not a nice dream since I new, despite her insistence, that I didn’t have the time to devote to a puppy. Awww. Bad dream… but cute.

another dream

Had a dream last night that the comic book writer/artist Dan Jurgens was giving me shit for my repeated lambasting of him and his silly 1990’s comic book legacy. I didn’t really care. I don’t hate his work but I really don’t like it all that much either… it’s mediocrity at its most mediocre.

15/01/2007

Femininema

Filed under: ramble — graigkent @ 11:31 am

It was the wee hours of the morning when most people are asleep when I was discussing favourite films with my special lady. She was telling me how much she liked some chick flick and I said “you’re such a girl” when she said “yeah, but Jaws is also one of my favourites so I think that balances it out.” “Oh, come on,” I said, (not impersonating GOB from Arrested Development for once), “Jaws is such a chick flick. A big old feminist rallying cry about the power women have over men, and man’s desire to destroy or subdue the ‘vag’.”
Yeah, it was said tongue in cheek and I managed to expand on it further, going deeper and deeper into lunacy (shoving a phallic air tank into an orifice and exploding, men being cut in half at the torso = emasculation, etc). When asked about the early scene in which the shark eats a woman, I said it’s just the feminist going up against standards of beauty and attractiveness that the media forces upon them.
Then I started to do the same thing with Raiders of the Lost Arc, but was too tired and had a much harder time with it… something about man reclaiming his masculinity by stealing his sack back but then being overwhelmed by the power of his own testosterone represented by a giant ball rolling after him…
I dunno, goofy diatribes at 2am aren’t my strong suit anymore.

12/01/2007

Children of Men

Filed under: In Theatre — gkentetc @ 4:25 pm

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directed by Alfonso Cuarón, written by Cuarón with Timothy J. Sexton, David Arata, Mark Fergus & Hawk Ostby, based on the novel by PD James. The trailer for Children of Men, when I first saw it months ago, reminded me of other dystopian future films such as Gattaca, 1984 or The Handmaid’s Tale, more in terms of tone than story, but there were parallels. To me, it seemed like it would be a quiet future, where civilization has lost joy and passion and the arrival of the first pregnant woman in decades is a glimmer of hope, the savior of society.
Though that is essentially the story in a nutshell, it’s not quite that simple, or that quiet. The opening moments of the film find Theodore Faron (Clive Owens) in a coffee shop where the news reports that the youngest person on Earth has died. Faron leaves the shop and a few paces later it explodes behind him. His eardrums collapse and a burned, bloody person steps out from the wreckage into the street holding onto their severed arm. The audio track becomes nothing but a high-pitched sonic scream which holds, resonating over the title screen. Sounds begin to return, but the harsh note still sustains, slowly fading away as Faron attempts to return to his life. With the explosion his world is completely shaken as were my expectations for the film.

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Raided, January 4th

Filed under: Sequential Art — gkentetc @ 3:27 pm

manhunter27.jpg
The Rack Raids are booming. We’re getting more and more visitors every day, our reviews are getting noticed more and more, and our writers… well, they’re tired but we whip them like the monkeys they are and eventually we’re going to produce Moby Dick 2: More Dick. It’ll be brilliant.
Also, remember, we’re still producing at Thor’s Comic Column, most of which gets transferred over withing 48 hours but some stuff is exclusive to there, such as the upcoming “Best of 2006″-type grouping of lists column. Yeah.
Anyway, a lot of good reviews last week. These are the ones I wrote, because my ego demands you know:
Manhunter 26 & 27
The All-New Atom #7
Iron Man: Armor Wars tpb
Battle For Bludhaven tpb
The Outsiders Vol. 5: The Good Fight
and our grandmaster Sean entices us to read Scalped and the Killer

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