-”This is so much better than Armageddon.”
-I still don’t understand why Toasty doesn’t like this film (although apply his complaints against any other Michael Bay film and I get it).
-The ghetto blaster robot reminds me of Stripe from Gremlins when it talks.
-I realized upon this fourth viewing that the film is an action-comedy (as I think most Bay films are intended to be), there’s very little drama or real characterization in it, nor does it really need any… laughs and cool action sequences with the Michael Bay formula of “three things going on at once” happening in spades.
-Doesn’t look like Transformers 2 is in the cards in theatre either
05/07/2009
[...consumed anew #147] Transformers
03/07/2009
[...about me #143 - 150] 33 bands: 10 - 17
Artist: Q-Tip/A Tribe Called Quest
Albums owned: Tribe - Peoples Instinctive Travels and the Paths of Rhythm (1990); The Low End Theory (1991); Revised Quest for the Seasoned Traveler (1992); Midnight Marauders (1993); Beats, Rhymes and Life (1996); The Love Movement (1998)
Q-Tip - Amplified
Eps owned: sadly, none
Album(s) missing: Tribe - Hits, Rarities & Remixes (2003); The Lost Tribes (2006)
Q-Tip - The Renaissance (2008)
Status: Q-Tip’s “lost album”, Kamaal/The Abstract, originally slated for 2002 release, then scrapped by the record co., will finally be released by Battery Records on September 15, 2009
A sixth Tribe record was discussed around 2006-2007 when the group reunited for touring but nothing since has been mentioned.
Personal history: Tribe was always my second hip-hop love to De La Soul, but upon relistening to the albums (see anew #134-140) the once-perennial seed has once again blossomed. I’d been anxiously awaiting Q-Tip’s second album for years, then kind of gave up hope, and completely missed it when it came out last year. It’s on the list of things to be corrected. I also forgot that I had the opportunity to see Tribe about a year and a half ago in Toronto, and didn’t take it. Dang.
Artist: Godspeed, You Black Emperor
Albums owned: Yanqui U.X.O.
Eps owned: none
Album(s) missing: lift yr. skinny fists like antennas to heaven! (2000); slow riot for new zero kanada (1999); f# a# oo (1998)
Status: on hiatus
Personal history: GAK introduced me to GSYBE on a mixedtape back in 1999 I believe, or perhaps it was a mixed cd in 2000. Either way, i was fascinated and a live show at a remodeled and restored Palais Royale way way back still resonates in my mind, as does their powerful contribution to the opening moments of 28 Days Later (remember when Danny Boyle was cool, not famous…? bah). GSYBE, I miss you.
Artist: Parkas
Albums owned: Now This Is Fighting (2003), Put Your Head In The Lion’s Mouth (2007)
Eps owned:A Life of Crime (2006)
Album(s) missing: none
Status: Currently recording their third album with Dale Morningstar… and then…?
Personal history: Even though I’ve known drummer Greg Rhyno, and bassist/vocalist Mark Rhyno since high school, do I put them on the list because I know them? Hell no. The Parkas are an amazing band, full stop. Having emerged from a tumultuous career path (see the near-brilliant “Life of Crime” DVD) stronger than ever a few years back, they make fun, exciting rock and-or roll, with clever and catchy lyrics and deliver one of the best working man live shows around. New material is most definitely welcome, and anticipated.
Artist: Golden Dogs
Albums owned: Everything In Three Parts (2004); Big Eye, Little Eye (2006)
Eps owned: none
Album(s) missing: none
Status: Currently recording
Personal history: Even though married leads Dave Azzolini and Jessica Grassia are originally from Thunder Bay, I didn’t actually come across the Golden Dogs until 2006, and even that was by happenstance (of which I can’t remember). Impetuously infectious and a killer energetic live show, with a wildly varied and grandiose sound, they could be from Duluth or Bruges and I’d still be just as enthusiastic. I also have a yellow t-shirt with the “target” emblem from their last album which I just love love lurve. Their video for “Never Meant Any Harm” still ranks as one of my favourite all-time videos:
Artist: Matt Murphy
Albums owned: The Super Friendz - Mock Up, Scale Down (1995); Slide Show (1996); Love Energy (2003)
The Flashing Lights - Where the Change Is (1999); Sweet Release (2001)
Guy Terrifico - The Life and Hard Times of Guy Terrifico (2005)
Eps owned: The Flashing Lights - Elevature EP (2000)
City Field - Authentic City ep (2004)
Album(s) missing: none
Status: Supposedly recording a new Super Friendz album…
Personal history: I was introduced to Matt Murphy and his Super Friendz by the aforementioned Parkas, Greg and Mark Rhyno, way back in 2005, when their pre-Parkas endeavour, Phasers on Stun, opened for the Halifax based band at a tiny little place with a foot-high stage and low ceilings whose name escapes me (I saw Hayden there too). Chris Murphy of Sloan was filling in on drums for their tour, I recall, and I remember him saying that Mark had the best hair in Rock and Roll. Anywho, I bought Mock Up, Scale Down then and there, and it’s been probably my favorite Canadian rock album ever since. Their track “Karate Man” was at one time adapted into chapter 3 of my novel Quarter City but was later excised.
Their second album, Slide Show wasn’t well received, which I couldn’t ever figure out, since I’ve enjoyed it immensely from the get go. It’s not as poppy as their debut, but it does show growth and maturity. I knew the Super Friendz had sadly disbanded but I was over the moon to discover the Flashing Lights in 2000, and to see them live a bunch of times in 2001. The track “Do It To Yourself” on Sweet Release is one of my all-time favourite songs. It was bittersweet to hear that the Flashing Lights disbanded so that the Super Friendz could reunite, creating Love Energy, followed by Matt Murphy’s unexpected performance as the titular legendary 70’s country music sensation in the mocumentary film The Life and Hard Times of Guy Terrifico. The album which resulted from the film was incredible, and the celebratory live/farewell show for the DVD release was a great time, full of nudie suits and pedal steel guitars. Taking a back-seat in his girlfriend’s band, the B-52’s inspired City Field, Murphy’s contribution is still quite tangible. He’s been rather absent since Guy Terrifico disappeared, but whatever he does next, I’m there. The man can cross genres and styles with ease, and is a damn fine entertainer.
Artist: Rod Slaughter/Novillero
Albums owned: Duotang - Smash the Ships and Raise the Beams (1996); The Cons & The Pros (1998); The Bright Side (2001)
Novillero - The Brindleford Follies (2002); Aim Right for the Holes in Their Lives (2005)
Eps owned: n/a
Album(s) missing: Novillero - A Little Tradition (2008)
Status: Active, just coming off touring.
Personal history: I don’t actually recall how I came across Duotang. Was it a live show in Thunder Bay? Late-night CBC Radio of Brave New Waves? MuchMusic back when they actually played music videos? Honestly don’t recall. But I remember making a choice between two a bass ‘n’ drums duos, them and The Inbreds. While I like both, I threw my hat in with the Winnepeg-based band and followed them for years, across three albums and at least four live shows. Duotang’s frontman, the brilliantly named Rod Slaughter, had dabbled with the Winnepeg mega-band Novillero between albums back in 1999, but it seemed to be a bit of a passing phase, only when Duotang split up, he threw himself right back into it, and while the first album was decent, the sophomore release was incredible. They’ve been active ever since, achieving some modest success. I missed out on their 2008 release, which will have to be corrected.
Artist: Interpol
Albums owned: Our Love to Admire (2007)
Eps owned: none
Album(s) missing: Turn on the Bright Lights (2002); Antics (2004)
Status: Working on a 4th album, expected in 2010.
Personal history: GAK introduced me to Interpol back in 2000/2001 on a mixed cd, and lent me an early EP, and I didn’t really get it. They didn’t strike me as interesting and I found their sound rather monotonous. Somehow, though, they found their way onto my iPod (probably when I had GAK’s entire CD collection for about 2 years) and one day, with Paul Bank’s dulcet tones ringing in my ear, I became enraptured. There’s a rock-steady consistency to Interpol’s sound which, the more their catalog builds, the more comforting it becomes, and the more they become the heirs to post-punk royal crown. I find their sound to have great momentum, perfect driving music (more daytime than nighttime though).
Artist: Ratatat
Albums owned: Ratatat (2004), Remixes vol.2 (2007)
Eps owned: none
Album(s) missing: Classics (2006), LP3 (2008), Remixes vol.1 (2004)
Status: active
Personal history: Ratatat makes stadium rock for your headphones. It was the video for “Cherry” that drew me in and while I don’t have much in the way of personal attachment, it’s really just that their instrumental merger of hip hop, guitar rock, and laptop electronica just pleases me. Their two volumes of Remixes, made available for free on their website at one time or another, (likely making rounds on the torrent sites), made some very mediocre rap palatable.
—
33 bands (in no particular order):
1. The National
2. Modest Mouse
3. De La Soul
4. TV on the Radio
5. The Futureheads
6. !!!
7. Menomena
8. Danger Mouse
9. Damon Albarn
10. Q-Tip/A Tribe Called Quest
11. Godspeed, You Black Emperor
12. Parkas
13. The Golden Dogs
14. Matt Murphy
15. Rod Slaughter/Novillero
16. Interpol
17. Ratatat
29/05/2009
[...i ate #147] broccoli
I’m not fond of broccoli… it’s flavour, like it’s odor when cooked, is pungent (is it possible for a flavour to be pungent?) and distasteful. The wife, on the other hand, loves it, and so my broccoli consumption of late (as in the years we’ve been together) has seen a steep incline from “nil” to “some”. My appreciation of broccoli is so low, though, that I can’t really tell the difference in flavour between skunky buds and the fresh stuff. I just basically look to Aden, and if she’s not eating it, then I don’t.
[...learned #147] parental/maternal leave
Employees have the right to take up to 17 weeks off work for Pregnancy leave. This is unpaid, however. Notice for Pregnancy Leave must be at least two weeks prior.
It’s true that in Canada men can legally take the year-long parental leave from their job, but the birth mother of the child must take the first 15 weeks of Maternal leave. Birth mothers who took Pregnancy Leave are allowed up to 35 weeks, while birth mothers who didn’t are allowed 37. Adoptive parents, either men and/or women, can take or share the full 37 weeks leave, but they don’t get the 15 weeks maternal leave.
Employees on Parental leave have the right to continue participation in “certain benefit plans” (employees must continue to pay their share of the benefit plan during that time) and earn credit for length of employment and they cannot be penalized in any way for taking leave.
The federal Employment Insurance Act provides eligible employees (those who worked over the minimum number of hours to receive EI, generally, and for an ESA covered employer) with maternity and/or parental benefits that may be payable to the employee during the period he or she is off on an pregnancy or parental leave.
Oddly enough, parental leave can begin up to 52 weeks after the birth/custody (it doesn’t have to be completed with the 52 weeks).
28/05/2009
[...consumed all new #147] The Goode Family
Instead of lamenting the cancellation of King of the Hill Mike Judge not only directed his third live action feature [Extract, coming September 4th] but also created his third major cartoon series, The Goode Family which made its debut on ABC last night.
My heart pulsating at extreme rhythms with Red Wings vs. Blackhawks excitement, I only caught about 2/3s total of the premiere episode, and my first impressions were: funny, but perhaps too evocative of King of the Hill. The animation wasn’t pristine and looked choppy in places, but it is only the first episode and animation styles tend to change and refine gradually over the first season (sometimes multiple seasons) of cartoons as the animators get comfortable with the characters and design sensibility of the show, as well the directors get more familiar with the rhythms of the show’s flow.
The humour in the show’s first episode revolves around the commercialization of the Green movement, and it’s an absolutely scathing indictment of Green commerce and “eco-”trendiness versus embracing true environmentally friendly living. This type of humour is needed in today’s environment, but will *hopefully* age poorly as the necessity of sustainable living is actually embraced.
A side story involved cultural trend of “purity pledging”, taking it to absurd, yet unfortunately real, creepy religious extremes. The show seems to be an antithesis to The Simpsons and Family Guy, as it’s skewering the pop-culture obsessive culture those shows both promote and embrace, taking trends and showcasing their absurdity by exposing them through “normal people”.
It’s still too early to tell whether The Goode Family will survive (Fox has been the only major network to make a success out of prime-time animation), but if the first episode was any indication (or at least what I saw of it) it’s worthy.