With Aden’s contractions starting to kick into high gear I wanted to keep her relaxed, so I put on one of her (and my) favourite movies, one with a very zen-like protagonist whose hippy/slacker philosophies might be applied during the more intense parts of the delivery process. They really weren’t, but a refresher on the film enabled me to quote lines and keep the mood light through much of the morning. The Dude abides.
08/07/2009
03/07/2009
[...about me #143 - 150] 33 bands: 10 - 17
Artist: Q-Tip/A Tribe Called Quest
Albums owned: Tribe - Peoples Instinctive Travels and the Paths of Rhythm (1990); The Low End Theory (1991); Revised Quest for the Seasoned Traveler (1992); Midnight Marauders (1993); Beats, Rhymes and Life (1996); The Love Movement (1998)
Q-Tip - Amplified
Eps owned: sadly, none
Album(s) missing: Tribe - Hits, Rarities & Remixes (2003); The Lost Tribes (2006)
Q-Tip - The Renaissance (2008)
Status: Q-Tip’s “lost album”, Kamaal/The Abstract, originally slated for 2002 release, then scrapped by the record co., will finally be released by Battery Records on September 15, 2009
A sixth Tribe record was discussed around 2006-2007 when the group reunited for touring but nothing since has been mentioned.
Personal history: Tribe was always my second hip-hop love to De La Soul, but upon relistening to the albums (see anew #134-140) the once-perennial seed has once again blossomed. I’d been anxiously awaiting Q-Tip’s second album for years, then kind of gave up hope, and completely missed it when it came out last year. It’s on the list of things to be corrected. I also forgot that I had the opportunity to see Tribe about a year and a half ago in Toronto, and didn’t take it. Dang.
Artist: Godspeed, You Black Emperor
Albums owned: Yanqui U.X.O.
Eps owned: none
Album(s) missing: lift yr. skinny fists like antennas to heaven! (2000); slow riot for new zero kanada (1999); f# a# oo (1998)
Status: on hiatus
Personal history: GAK introduced me to GSYBE on a mixedtape back in 1999 I believe, or perhaps it was a mixed cd in 2000. Either way, i was fascinated and a live show at a remodeled and restored Palais Royale way way back still resonates in my mind, as does their powerful contribution to the opening moments of 28 Days Later (remember when Danny Boyle was cool, not famous…? bah). GSYBE, I miss you.
Artist: Parkas
Albums owned: Now This Is Fighting (2003), Put Your Head In The Lion’s Mouth (2007)
Eps owned:A Life of Crime (2006)
Album(s) missing: none
Status: Currently recording their third album with Dale Morningstar… and then…?
Personal history: Even though I’ve known drummer Greg Rhyno, and bassist/vocalist Mark Rhyno since high school, do I put them on the list because I know them? Hell no. The Parkas are an amazing band, full stop. Having emerged from a tumultuous career path (see the near-brilliant “Life of Crime” DVD) stronger than ever a few years back, they make fun, exciting rock and-or roll, with clever and catchy lyrics and deliver one of the best working man live shows around. New material is most definitely welcome, and anticipated.
Artist: Golden Dogs
Albums owned: Everything In Three Parts (2004); Big Eye, Little Eye (2006)
Eps owned: none
Album(s) missing: none
Status: Currently recording
Personal history: Even though married leads Dave Azzolini and Jessica Grassia are originally from Thunder Bay, I didn’t actually come across the Golden Dogs until 2006, and even that was by happenstance (of which I can’t remember). Impetuously infectious and a killer energetic live show, with a wildly varied and grandiose sound, they could be from Duluth or Bruges and I’d still be just as enthusiastic. I also have a yellow t-shirt with the “target” emblem from their last album which I just love love lurve. Their video for “Never Meant Any Harm” still ranks as one of my favourite all-time videos:
Artist: Matt Murphy
Albums owned: The Super Friendz - Mock Up, Scale Down (1995); Slide Show (1996); Love Energy (2003)
The Flashing Lights - Where the Change Is (1999); Sweet Release (2001)
Guy Terrifico - The Life and Hard Times of Guy Terrifico (2005)
Eps owned: The Flashing Lights - Elevature EP (2000)
City Field - Authentic City ep (2004)
Album(s) missing: none
Status: Supposedly recording a new Super Friendz album…
Personal history: I was introduced to Matt Murphy and his Super Friendz by the aforementioned Parkas, Greg and Mark Rhyno, way back in 2005, when their pre-Parkas endeavour, Phasers on Stun, opened for the Halifax based band at a tiny little place with a foot-high stage and low ceilings whose name escapes me (I saw Hayden there too). Chris Murphy of Sloan was filling in on drums for their tour, I recall, and I remember him saying that Mark had the best hair in Rock and Roll. Anywho, I bought Mock Up, Scale Down then and there, and it’s been probably my favorite Canadian rock album ever since. Their track “Karate Man” was at one time adapted into chapter 3 of my novel Quarter City but was later excised.
Their second album, Slide Show wasn’t well received, which I couldn’t ever figure out, since I’ve enjoyed it immensely from the get go. It’s not as poppy as their debut, but it does show growth and maturity. I knew the Super Friendz had sadly disbanded but I was over the moon to discover the Flashing Lights in 2000, and to see them live a bunch of times in 2001. The track “Do It To Yourself” on Sweet Release is one of my all-time favourite songs. It was bittersweet to hear that the Flashing Lights disbanded so that the Super Friendz could reunite, creating Love Energy, followed by Matt Murphy’s unexpected performance as the titular legendary 70’s country music sensation in the mocumentary film The Life and Hard Times of Guy Terrifico. The album which resulted from the film was incredible, and the celebratory live/farewell show for the DVD release was a great time, full of nudie suits and pedal steel guitars. Taking a back-seat in his girlfriend’s band, the B-52’s inspired City Field, Murphy’s contribution is still quite tangible. He’s been rather absent since Guy Terrifico disappeared, but whatever he does next, I’m there. The man can cross genres and styles with ease, and is a damn fine entertainer.
Artist: Rod Slaughter/Novillero
Albums owned: Duotang - Smash the Ships and Raise the Beams (1996); The Cons & The Pros (1998); The Bright Side (2001)
Novillero - The Brindleford Follies (2002); Aim Right for the Holes in Their Lives (2005)
Eps owned: n/a
Album(s) missing: Novillero - A Little Tradition (2008)
Status: Active, just coming off touring.
Personal history: I don’t actually recall how I came across Duotang. Was it a live show in Thunder Bay? Late-night CBC Radio of Brave New Waves? MuchMusic back when they actually played music videos? Honestly don’t recall. But I remember making a choice between two a bass ‘n’ drums duos, them and The Inbreds. While I like both, I threw my hat in with the Winnepeg-based band and followed them for years, across three albums and at least four live shows. Duotang’s frontman, the brilliantly named Rod Slaughter, had dabbled with the Winnepeg mega-band Novillero between albums back in 1999, but it seemed to be a bit of a passing phase, only when Duotang split up, he threw himself right back into it, and while the first album was decent, the sophomore release was incredible. They’ve been active ever since, achieving some modest success. I missed out on their 2008 release, which will have to be corrected.
Artist: Interpol
Albums owned: Our Love to Admire (2007)
Eps owned: none
Album(s) missing: Turn on the Bright Lights (2002); Antics (2004)
Status: Working on a 4th album, expected in 2010.
Personal history: GAK introduced me to Interpol back in 2000/2001 on a mixed cd, and lent me an early EP, and I didn’t really get it. They didn’t strike me as interesting and I found their sound rather monotonous. Somehow, though, they found their way onto my iPod (probably when I had GAK’s entire CD collection for about 2 years) and one day, with Paul Bank’s dulcet tones ringing in my ear, I became enraptured. There’s a rock-steady consistency to Interpol’s sound which, the more their catalog builds, the more comforting it becomes, and the more they become the heirs to post-punk royal crown. I find their sound to have great momentum, perfect driving music (more daytime than nighttime though).
Artist: Ratatat
Albums owned: Ratatat (2004), Remixes vol.2 (2007)
Eps owned: none
Album(s) missing: Classics (2006), LP3 (2008), Remixes vol.1 (2004)
Status: active
Personal history: Ratatat makes stadium rock for your headphones. It was the video for “Cherry” that drew me in and while I don’t have much in the way of personal attachment, it’s really just that their instrumental merger of hip hop, guitar rock, and laptop electronica just pleases me. Their two volumes of Remixes, made available for free on their website at one time or another, (likely making rounds on the torrent sites), made some very mediocre rap palatable.
—
33 bands (in no particular order):
1. The National
2. Modest Mouse
3. De La Soul
4. TV on the Radio
5. The Futureheads
6. !!!
7. Menomena
8. Danger Mouse
9. Damon Albarn
10. Q-Tip/A Tribe Called Quest
11. Godspeed, You Black Emperor
12. Parkas
13. The Golden Dogs
14. Matt Murphy
15. Rod Slaughter/Novillero
16. Interpol
17. Ratatat
30/05/2009
[...consumed all new #148] The Forbidden Kingdom
Jackie Chan and Jet Li together for the first time ever. Holy crap! If only this happened when they were at the peak of their skills and fame, when the film that resulted could have been something less… Americanized I suppose. The director of the Lion King, Stuart Little (one and two) and Haunted Mansion isn’t exactly at the top on any kung-fu fan’s list to conduct what should be a monumental occasion.
A kung-fu cinema-obsessed teenager meets the local pawn shop/ Chinese nick-nack importer/ cheque casher where he buys bootleg DVDs and learns the legend of the Monkey King, his staff which happens to be in the old shopkeep’s back room. Venturing home, a local gang of bullies start pushing the kid around and then coerce him into helping them rob the shopkeep. During the robbery the old man is shot, and the kid grabs the Monkey King staff and runs, only to wind up in another reality, where he’s still a useless white kid in a land ruled under the thumb of the Jade Warlord. Only by returning the Monkey King’s staff to its rightful owner can the land be freed and the kid returned home. He meets the drunken master (Jackie Chan), the pretty, vengeance-filled Sparrow (who no doubt meets the kid’s Asian fetish criteria), and the Silent Monk (Jet Li) and together they go on an adventure to return the staff, all the while being hounded by the Jade Warlord’s evil minions. Oh, and naturally the kid gets trained by Chan and Li to be an at least adequate fighter, which, even in his mere adequacy is still beyond belief for the timespan that it occurs in.
Legendary fight choreographer Yuen Woo-ping is on the scene and the fight sequences (aside from those involving the Monkey King on a mountain top) are great, the long-dreamed of Chan vs Li showdown could have easily lasted the films entire run and left me satisfied. Where the action fails is in the directing and camera work which don’t cast it in any special light or even properly follow the action. It’s fairly clean, visually, but also pretty bland. We don’t need quick cuts, but a little stylization to hide the wire-fu would help. The costume design was pretty awesome, and the sets were generally well done, but the cgi work varied wildly from exceptional to obvious to atrocious.
Sky High’s Michael Angarano is the kid, and he’s a split-image look-a-like of Shia LeBeouf one swat of the ugly stick removed and nowhere near as charming. Chan does the bulk of the heavy lifting acting wise, and he’s up to the challenge. Li, as Silent Monk (and the grunting Monkey King) are apt roles. I appreciate the fantasy and the nods towards some notorious kung-fu cinema, but it sitting in the shadows, staring at stars, wishing to be one itself, and the realty is, that simply by being American, it’s not going to be. A kung-fu classic it’s not but it fits right in as a new young-adult fantasy ala Labyrinth or Never Ending Story.
29/05/2009
[...i ate #148] Arizona Green Tea
The only thing that prevents me from drinking an Arizona Green Tea with Ginseng and Honey every day is the fact that the cafe at work tends to run out of them pretty quickly and their reorders only come in every couple weeks. A 695mL tall boy of premium-brewed green tea really fills up the bladder, true, and the slight jolt of green tea caffeine is sometimes tragic on my system, but it’s sure pleasing to the palette. One can yields less than 200 calories, no fat, about 50g of sugar though (it’s sweetened with both glucose-fructose and honey, which is bad), and about 65% of my daily vitamin C. For $0.99. Great Buy!
[...learned #148] parental/maternal leave Employment Insurance
To receive EI while off on Parental/Maternal leave, you must have accumulated at least 600 insured hours since the last claim you made. You also must prove that your income has decreased 40% or more by taking leave.
Applying for benefits should commence immediately upon the cessation of payments from the employer. Failure to apply for benefits within four weeks could lead to loss of benefit ( I guess because they assume if you haven’t asked for it already, you don’t need it). You can apply for maternity and parental benefits at the same time. The mother can start collecting maternity benefits either up to 8 weeks before she is expected to give birth or at the week she gives birth. Maternity benefits can be collected within 17 weeks of the actual or expected week of birth, whichever is later. Parental benefits can be claimed by one or shared between partners but will not exceed a combined maximum of 35 weeks. Claimants making application for parental benefits must provide the name and Social Insurance Number (SIN) of the other parent for cross-reference purposes.
To apply, you need a SIN number, Record of Employment, ID (passport/birth certificate/drivers license), banking info for direct deposit, date of birth (expected or after) or placement.
Maternity/Parental benefits last up to a total of 50 weeks (the first two weeks are unpaid, considered a “deductible”). If you work while on maternity leave, your earnings will be deducted dollar-for-dollar from any maternity benefits. If you work while on parental leave, you can earn $50 per week or 25% of your benefits, whichever is higher. Any monies over that will be deducted dollar-for-dollar. The percentage does differ, however based on region.
The basic benefit rate is 55% of your average insured earnings up to a yearly maximum insurable amount of $42,300. This means you can receive a maximum payment of $447 per week. Your EI payment is a taxable income, meaning federal and provincial or territorial, if it applies, taxes will be deducted.
Unlike regular EI, if you received maternity and/or parental benefits during the taxation year, you will be exempted from benefit repayment no matter what your income is.